Music sheets library by artists > Classical > Music scores by George Gershwin

Let's Call the Whole Thing Off by George Gershwin

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53 measures

238 notes

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Solfege and music theory is not your thing? Simply fill the holes when there is a filled dot on the tablature picture. Blue dots for the left hand, green one for the right hand. If you are older than 3, you can do it for sure.

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Track artist(s)

George Gershwin

1898-09-26

1970-01-01 (71 years old)

Artist page on spotify

more information about George Gershwin...

George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which included the hit "Summertime".

Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inquired about studying with him. He subsequently composed An American in Paris, returned to New York City and wrote Porgy and Bess with Ira and DuBose Heyward. Initially a commercial failure, it came to be considered one of the most important American operas of the 20th century and an American cultural classic.

Gershwin moved to Hollywood and composed numerous film scores. He died in 1937, only 38 years old, of a brain tumor. His compositions have been adapted for use in film and television, with many becoming jazz standards.

Wayne Marshall

1980-04-09

hopefully still alive (44 years old)

Artist page on spotify

more information about Wayne Marshall

Wayne Mitchell OD (born 9 April 1980), better known by his stage name Wayne Marshall, is a Jamaican reggae and dancehall deejay. He is most notable for his collaborations with Sean Paul, Elephant Man and Beenie Man. He also attended the Wolmer's Boys' School for Boys and married fellow reggae/dancehall artiste Tami Chynn in 2009.

Marshall's debut solo album Marshall Law was released by VP Records is 2003. Reviewers noted strong hip-hop influences in Marshall's dancehall music. Forbidden Fruit was released the next year, and Tru Story!, released by Federation Sound, followed in 2008.

During the 2000s, he issued dozens of 7" singles, mostly on VP Records.

In 2009, he was featured in the dancehall remix to Jamie Foxx's "Blame It". Marshall's single, "Messing with My Heart", featuring Mavado, from his third album was released in November 2010. Marshall collaborated with British musician Toddla T on the track "Streets So Warm", which was released as the third single from his 2011 album Watch Me Dance.

He recorded the Damian Marley-produced album Tru Colours in 2013, which was released in January 2014, with an EP of the same name released in November 2013.

In 2014, he recorded "Jamaican Mannaz" for the organization Do Good Jamaica, aimed at encouraging good manners in children.

He is not to be confused with the British R&B singer of the same name. The latter had entries in the UK Singles Chart with "Ooh Aah (G-Spot)" and "Never Knew Love Like This" with Pauline Henry in the mid-1990s.

Album info

Wayne Marshall Plays Gershwin

Release date : 2023-07-07

Music genre(s)

MusicXML scores for music style Classical

more information about Classical

Classical music generally refers to the formal musical tradition of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term classical music may also refer to non-Western traditions which exhibit similar formal qualities. In addition to formality, classical music is often characterized by complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the 9th-century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history.